With Philippe Noiret, Massimo Troisi, Maria Grazia Cucinotta, Renato Scarpa. Simple Italian postman learns to love poetry while delivering mail to a famous poet; he. The 2. 5 Best Movies of 2. So Far)5. Jackie. Pablo Larrain's cinema is one rooted in the knotty relationship between influential historical leaders and the people over whom they govern (or rule with an iron fist). That's true of both his superb 2. Neruda falls just shy of the piercing majesty of Jackie, an unconventional, hauntingly lyrical snapshot of Jackie Kennedy (played by an astounding Natalie Portman) in the week immediately following the November 2. President John F. Framed by an interview between Jackie and a reporter (Billy Crudup), Larrain's masterful drama uses incessant close- ups to dig deeply into the conflicted interior condition of his subject, who finds herself both battling with grief and struggling to immediately lay the groundwork for her husband's legacy. Graceful and gripping, it's a period piece character study that cannily speaks to the way in which words—and, tellingly, also visual images—are the tools by which we shape history. David Mackenzie's outlaws- on- the- run saga concerns two brothers (Chris Pine and Ben Foster) who embark on a bank- robbing spree in order to raise enough money to save their family farm from foreclosure—a conceit that lends the film a piercing timeliness. Nonetheless, the true power of this rugged genre effort comes from its stars and its attention to both atmosphere and character detail. As yin- yang siblings compelled to embark upon their mission by need, fury, and inherent recklessness, Pine and Foster share a compelling chemistry. And they're complemented (and, in fact, surpassed) in the charisma department by the always great Jeff Bridges. As the just- about- to- retire sheriff hot on their trail, Bridges delivers one of his finest performances, radiating both wit and regret as an old- school relic who—like the criminals he's pursuing, and the beaten- down land that he roams with his Native American- Mexican partner Alberto (Gil Birmingham)—is on the precipice of transforming into a ghost from a bygone era. Advertisement - Continue Reading Below. Steve Gleason was a sturdy New Orleans Saints safety who became immortalized in team history when, during the squad's first game back in the Superdome following Hurricane Katrina, he blocked a punt against the Atlanta Falcons—a play that came to symbolize the city's indefatigable comeback spirit. Tragically, at the too- young age of 3. Gleason was diagnosed with ALS (aka . Using copious footage shot by the former athlete himself (some of it addressed to his unborn kid), J. Programmes; Higher Learning Fall 2016; Reel Talk: Contemporary World Cinema - 2016/2017; Guillermo del Toro Master Classes: Luis Bu Welcome to our new member login area. If you know the email address associated with your Palace Movie Club membership, please click here to generate a new password. In June, the company announced it would partner with New Line Cinema (a subsidiary of Warner Bros.) to produce The Crusaders, a drama about Brown v. Buy tickets online Showing on 11/04/2016 at 5:30 Director: Thomas G. Smith Rating: NR Running Time: 20 minutes Country: USA Watch the trailer. Clay Tweel's documentary details Gleason and his wife Michel's struggle with that incurable condition. To say Gleason is heartbreaking is a vast understatement, but amidst its tears- inducing horrors, it conveys a genuinely uplifting sense of its subject's refusal to quit, especially once he endeavors to use his fame to help others with ALS. The story of a man, and family, torn asunder by disease, and yet unwilling to just accept defeat, it's the non- fiction film of the year. The most hardcore thriller in years, Jeremy Saulnier's follow- up to 2. Blue Ruin is another exercise in extreme, nail- biting suspense, this time about a just- scraping- by punk band (comprised of the late Anton Yelchin, Alia Shawkat, Joe Cole, and Callum Turner) that unwisely decides to accept a gig at a rural neo- Nazi music club. When they happen to witness the aftermath of a murder, they become captives of the resident skinheads and their leader (a terrifying Patrick Stewart), leading to a prolonged showdown which Saulnier stages as a series of quiet, panic- stricken moments and bursts of brutal violence—a storytelling rhythm in tune with the sludgy punk and metal thundering through the venue's speakers. A relentless assault on one's nerves that pummels viewers with the same all- out viciousness exhibited by the racists slam- dancing around the venue's grimy, beer- soaked floors, Green Room (which we dubbed . In this pitch- black future- society saga, a single man (Colin Farrell) checks into a hotel where, by law, he must find a mate within 4. A lobster.) In that wacko locale, Farrell's lonely loser pals around with other equally strange sorts, and tries to forge a romance with a female counterpart, before eventually fleeing for the woods where anti- monogamy rebels are stationed. A deadpan dystopian comedy that also functions as a bizarro- world examination of love, relationships, marriage, and the basic human desire for connection, Lanthimos' film is that rare thing in today's cinema: an unqualified original.
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